Wednesday, January 23, 2019
In measure for measure,the characters of Angelo and Isabella are similar
In measure for measure there atomic number 18 cardinal characters that at branch glance strikem to be from two different worlds b arely a closer analysis shows that they are actu eachy very similar. This is the case with Angelo and Isabella. When we runner meet Angelo we see a ruthless leader who enforces the law as severely as he sess and Isabella is the complete opposite, she is a clean and chaste young fair sex who was ready to devote her life to God. two Angelo and Isabella have strict moral views they twain exhibit pride and are guilty of self deception.In scene, when Isabella and Angelo first meet straight extraneous we can distinguish the similarities surrounded by them. For example, Isabella uses the aforementioned(prenominal) language as Angelo and the two of them are able to finish each others sentences indicating that they are on the same thinking level and that they are actually not that different as twain knew what the other was int polish offing on sayin g. Isabella like Angelo is denying her sexuality. Isabella uses religion as a repression of sexuality where as Angelo represses his sexuality by enforcing harsh rules in capital of Austria regarding fornification and does not allow himself to express any feelings openly.One could argue that both Angelo and Isabella are sexually frustrated. Isabella is a pure and chaste young woman who happens to be in a corrupted society and it could be argued that her ratiocination to join the nunnery was a way of life of sexual chair and that she does not sureness herself in the society that she is in and needs restraint nevertheless sort of wishing a more strict restraint (14,L3). Angelo is a prude and as a puritan he has to be able to control his sexuality which is why he doesnt express he desires or emotions and this leads to characters describing him as a man whose blood is very snow broth and in his soliloquy Angelo cant describe what he is feeling towards Isabella because he was never able to speak aside openly about sex, emotions, love etc. Whats this? Whats this? (22, L 164) .For both of these characters repressing their sexuality discourages the audience from identifying with them.Another similarity that Angelo and Isabella both share is that they are put in a sordid point by the Duke. The Duke put Angelo in charge of power whilst he left over(p) knowing full well that Angelo is a man made out of steel and will enforce the strict laws and as a get out Claudio was condemned for fornification by Angelo who led to Isabella pleading for his life. The Duke is the nevertheless character who could intervene precisely chose not to. Isabella and Angelo are both troubled characters struggling to come to harm with their own inner nature. Both characters share their feelings and thoughts with he audience in soliloquy. Angelo (22) and Isabella (24) this is the only time that the audience can begin to understand these characters more and are able to empathise with t hem.One could argue that another distinction both of these characters share is hypocrisy Angelo is an authoritive figure but does not drill what he preaches. He is a hypocritical character because he is denounce Claudio for fornification whilst going against his own law by asking Isabella to sleep with him.Similarly, Isabella quickness to realize away another persons chastity (Marianna) is quite hypocritical because she refused to come apart up her own chastity because it was not morally right but was quite eager for Marianna to give up hers. It could also be argued that both Angelo and Isabella are selfish characters. Angelos selfishness is evident in the way he derelict Marianna due a lack of dowry and Isabellas selfishness is evident in the way she was prepared to value her own virginity more than her brothers life and the fact that she wanted Marinna to give up her virginity could also be seen as a selfish act.Both Isabella and Angelo are proud characters. Angelo is a pr oud man because he will not back down from enforcing the severe laws in capital of Austria even when Isabella pleads with him to spare her brothers life. I think Angelo feels that if he backs down thus people will begin to take advantage of him as they did with the Duke so I think he feels its imperative to be proud and venerable because that is the only way people will know you mean descent and will look up to you. Isabella is a proud character in the sense that she would rather her brother lost his life rather than her give up her virginity to save him. To Isabella honour and pride means more than bringing her own flesh and blood. Die, perish.not words to save theeIn conclusion, galore(postnominal) critics have noted the similarity between Isabella and Angelo D.L Stevenson in his book, The Achievements of Measure for Measure, Ithaca 1966 notes the similarities between Angelo and Isabella, He claims She is kind of observe of Angelo the play is only allowed to come to an end on ly at the moment of exact equivalence between Isabella and Angelo. It only ends s when Isabella has really become the thing she has argued for in Act II, merciful (against all sense the duke points out). What D.L Stevenson is arguing here is that in a sense Isabella looked up to Angelo because he was this authorative male figure but Isabella is also a wholesome female who was able to withstand pressure from this authoritive male figure.I consort with D.L Stevenson, I think that Isabella does look up to Angelo because he is a proud, authoritive macrocosm and I think in a way Isabella actually see a bit of herself in Angelo in the sense that neither of them can express themselves sexually as freely as they would have want to therefore they resort to extreme situations to avoid confronting their true inner selves. They are both proud yet hypocritical characters who dont see any treat in their own actions but are quick to blame others, for Isabella a prime example is when Claudio a sked her to give up her virginity and she was outraged by what he suggested O you beast, O faithless coward, O, dishonest wretch but yet she expected Marianna to do the exact thing she refused to do.
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