I find many differences in the interpretation of historical sluicets between the dash Islam: Empire of conviction, and Hodgsons The Venture of Islam textual matter. I withal venture that both the movie and the text take over similar messages, though their makers have chosen to show the messages differently. The bourgeon runs to a greater extent the likes of a work of fiction, a tale from come to the fore of nonpareil Thousand Arabian Nights perhaps, than a traditional phosphate buffer solution occupy. I almost forgot to take nones because I was watching the film so intently, fully immersed into the goings-on of Muhammad and the Muslim people. The text, on the other hand, is more have-to doe with with dates, maps, names, and smaller details. The film and the text go hand-in-hand, even if their interpretations of historical events are different; one should watch the film for the overall effect of the Islamic Empire, but one should memorialise the text for specific i nformation about what happened when and why it happened. The films violence is not necessarily on the Muslim faith, but more on what the Muslims contributed to the world in the ways of science, math, art and architecture. The film also depicts major battles, like those of Muhammad against the Bedouin pagans.
Conversely, Hodgson pays close attention to the religion, and acknowledges some(prenominal) clock that it was at the base of the Islamic Empire, saying, We shall be talking a good deal about religion in this work, for it pervaded all(prenominal) aspect of Islamicate culture. I must make clear my spotting of view on it, (Hodgson, I: 158). Hodgson seems to int! erpret events in a linear fashion, with times and places and terminology at the heart of his writing--this faggot be found throughout the book, especially in the nonsectarian Prologue to book I on page 71. Islam: Empire of confidence depicts... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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